ARTIST: Leslie Ebert - Abstract Photographer of Light Energy
Using the medium of macro digital photography, Leslie explores the vibrational nature of our world and the idea of resonance as a universal creative force. She has been exploring light as subject for ten years and has watched as the images have become ever more complex. Interested in the physical nature of Light and its philosophical implications, she set off with camera in hand to explore what causes the diversity of shapes and marks emanating within the light around us.
When she first started putting her art out into the public arena in 1992, she was etching metal plates for printmaking with abstracted botanical sketches as a metaphor for phases of life and personal growth. Now she use digital technology to transfer images on to aluminum panels to reproduce the luminosity of light. As her artwork evolved, so did her interest in the relationship between physics and the metaphysical. Her creative voice has become an exploration into the idea of energy exchange. Based on a hypotheses of contemporary physics and ancient shamanism; that everything contains vibration, so as we interact with the world around us, we exchange vibrations with what we pay attention to.
ARTIST STATEMENT:
I like to say these images of light phenomena found me, as a result of my interest in making art about energy. At first my attention was pulled to reflections and shadows when a cross form dramatically appeared in my living room every day around the same time, It appeared to come from nowhere. In response I picked up my camera and started documenting the phenomena. Once I started looking for the origin of the light, more opportunities to photograph light phenomena began appearing. ( Such as the changing color of light as it bounces from one surface say a shrub outside to create a pool of green light on the next surface it hits. ) Each time I took a picture of light in action some new visual element would appear, leading me to want to taking more photographs. At first these images were intended as resource material for a series of abstract paintings about energy. Until I heard the Muse’s gentle whisper in my ear during a photography session, ’look closer, look closer’. In response I turned on the macro setting on my point and shoot camera, where a foreign but somehow familiar world of liquid light, gaseous states and energy storms, appeared.
Over the last few years the closer I have looked at rays of light the more evolved and complex the photographs have become. The photographs have continued to take on a life of their own and left me with an erie feeling that they are trying to communicate something. One Sunday I was folding laundry to NOVA’s the Elegant Universe with physicist Brian Green. He was talking about vibrating strings and parallel universes when I made a connection. To me he was talking about the same ideas that were coming through my imagery! This opened an interest in reading about contemporary physics and an obsessive inquiry into what are these images representing. It took me some time to accept that It doesn't matter what the images may be. My job as the artist is to get them in front of people, so others might find inspiration in them. As the photographs continued to evolve as fine art pieces in their own right, It became clear I needed to be getting them out into the world to be experienced.
This body of work is titled Light Signatures and was photographed in my studio in Portland Oregon as part of a much larger ongoing project that investigates Light Signatures around the globe. My desire is to document the variety of shapes and structures of light with inquiry into what causes these marks to change. The images continue to evolve in complexity with each passing year. Going from simple fields of color and basic geometric structures, to fragmented pieces and explosive bursts that expel energy as if birthing a new era. Possibly documenting changes in our regional energy, as the universal flow in vibration around us responds to us and our emotional reactions to the current wave of exponential growth and shifting sociology.
ARTIST CV
SOLO SHOWS
2015 Museum Contempo, Luminance; A 25 year Retrospective, Olympia Washington
Studio 820, Light Taking Form, Oregon City Oregon
2011 Portland Art Museum Rental Sales Gallery, Featured Artist, Portland Oregon
2009 Art Etc. Featured Artist, Portland Oregon
2005 Washington State University, Science Gallery, Vancouver Washington
Wene' Gallery, ‘Exploring Quantum’, Portland Oregon
2003 Silver Creek Gallery, ‘Conversations’, Silverton Oregon
2001 The Gallery at Willamette, ‘The first ten years, a retrospective’, West Linn Oregon
1999 Gallery 33, ‘Recent work’, Portland Oregon
1997 First Avenue Gallery, ‘Mixed Media’, Portland Oregon
1996 Waterstone Gallery, ‘Symphony in Paper’, Portland Oregon
1995 Edmonds Art Festival Museum, Edmonds Washington
Artisan Center Gallery, ‘Stillness in motion’, Portland Oregon
1992 AIA Gallery ‘Impressions’, Portland Oregon
Group Exhibits on DIGITAL DISPLAY
2015 Saatchis Gallery, ‘Digital Display’, London, England
Louvre Museum, See.Me ‘Exposure Awards’ Paris, France
2013 See.Me Gallery ‘The Story of the Creative’ Queens NewYork
2012 ‘Art Takes Times Square’, electronic billboards, New York, NewYork
SELECTED GROUP EXHIBITIONS
2016 Point Park University, Lawrence Gallery In-VISIBLE, Pittsburgh Pennsylvania
Banana Factory Arts Center, Crayola Gallery, Bethlehem Pennsylvania
2015 Sylvia Wald & Po Kim Art Gallery, National Association of Women Artist, New York NY
Portland Art Museum; Rental Sales Gallery, Spring exhibit, Portland Oregon
Museum Contempo ‘Life in Bloom’, Olympia Washington
2014 CoCA’ Who Are You’ Seattle Washington
National Association of Women Artists Gallery, Winter exhibit, New York New York
2013 Newspace Center for Photography, ‘Now ‘ Portland, Oregon
Center of Contemporary Art, ‘Collision; past present and future’ Seattle, Washington
Museum Contempo, ‘Who is God’, Shelton, Washington
NOoSphere Gallery, ‘Fly On the Wall’ NewYork, NewYork
2012 Waterstone Gallery, ‘Pentimento’, Portland Oregon
North Shore Art Association, Experimental Art, Gloucester ,Massachusetts
Chehalem Cultural Center Parrish Gallery, ‘Oregon Artists Showcase’, Newberg, Oregon
Gallery 114 ‘Exit Winter’ Juried Guest Artist Show, Portland, Oregon
2011 ‘The All Oregon Art Annual - Professional division’, Salem, Oregon
GDP Studios, ‘New Vibrations in Art’, Shelton Washington
2008 Sidney & Berne Davis Art Center “Illumination” Fort Myers Florida
Microcosm Gallery‘Soul to Soul’, New York, NewYork
2007 First Presbyterian Church ‘Gifts of Spirit’, Portland Oregon
2006 Coos Art Museum ‘Oregon Artists Biennial’, Coos Bay Oregon
2005 Peninsula Fine Arts Center, 'On the Edge 2005 ', Newport News Virginia
2004 Blue Moon Gallery 'Healing Environments' Little Rock Arkansas
2003 Crane Museum‘Celebration of American Paper Arts’ Dalton Massachusetts
2002 ArtStudio Gallery ‘Small Works II’ Santa Fe New Mexico
2001 Waterstone Gallery ‘Collective Impressions’ Portland Oregon
1997 Omni Gallery, ‘Invitational’ Portland Oregon
1994 The Ink People Gallery, National Competition, Eureka California
1993 Museum of Fine Art ‘74th National Exhibit’ Springfield Massachusetts
SELECTED PUBLICATIONS
2015 ArtLifeVideoBlog Day135, the Abstract Photography of Leslie Ebert
2014 NAWA 125th year exhibit catalogue,
CoCA, Who Are You exhibit catalogue
WIPI, Yale Archive, Beinecke Rare Book & Manuscript Library, Yale University
2013 CoCA, Collision, exhibit catalogue
NOoSphere Gallery, A Fly on the Wall, exhibit Catalogue
CAP, Special Collection, art auction catalogue
2012 Diffusion; Unconventional Photography Annual, Volume IV, One Twelve Publishing
Who’ Who in American Art’ #31,
Studio Visits, Volume 18 Juried by Trevor Richardson /Edited by Steven Zevitas, OSP
2011 Exploring Experimental ArtISEA Exhibition Catalogue
Portland Tribune, ‘An Artists Paints her Garden’ Barbara Ashmun
Studio Visits, Volume 13 Juried by Beth Venn /Edited by Steven Zevitas, OSP
2010 ‘Art of the Allison Collection’, Catalogue
‘Visual Journeys; Art of the 21st Century’ Nina Mihm / Mary Carol Nelson, Fresco P.
2009 ‘Extraordinary Measures’ – feature film w/ Harrison Ford
‘Portland Art Museum Rental Sales Gallery; The First 50 Years 1959-2009’ Bowlan
PROFESSIONAL ASSOCIATIONS and ARCHIVES- Current
National Association ofWomen Artists- Archives at Rutgers University, Guggenheim Museum
Professional Women Photographers
Society of Layerist’s in Multi Media
Women in Photography International - Archives at National Museum ofWomen Artists, DC
EDUCATION
1987 BARCH , Bachelors of Architecture, Minor, Art History, University of Oregon, Eugene